Austentatious - Piccadilly Theatre

Pride and Prejudice painted on some form of block

I was expecting to really enjoy this. I mean,

1) I love Jane Austen and am familiar with her works. 

2) I love the concept of a comedic, full-length improvised play in the style of Austen based on a humorous, bastardised Austen book title suggested by an audience member.

3) I have a sense of humour.

So...why didn't I like it?

First, I'll pay tribute to the set and costumes, which were excellent. The set started off as a wooden crate, which fell open when the title for the play had been decided upon, to reveal an impressive Regency drawing room interior. The costumes were all that one could wish for in a Regency-era play. The music, played by two musicians (violin and piano?) was also fitting and added to the humour.

The chosen title for the play was 'Seasoning and Seasonality', and began with one of the gentlemen adding seasoning to a meal. The improvisation was very clever - the cast's ability to craft a multi-layered storyline while constantly coming up with witticisms was impressive.

However, I didn't like it because I'd been expecting it to be set completely in the Regency era, and draw more from Austen novels trope-wise. I'd thought that was the point of it: to perform a comedic, parodic, ridiculous Austen-esque story - set at the time at which Austen's books are set. I'd imagined that was part of the challenge, and would be one of the main sources of humour.

Instead, they did an improvisation in Regency garb, loosely set during the Regency period, with a ton of modern references. Several of the scenes took place in a Lidl supermarket. One of the characters played a cashier. Aldi was also mentioned. There were parts that I found genuinely funny, like the  confusion over the boundaries of the indoor fire, the 'spectacular', and the flashback (all of which would've worked in a more authentically Austen-esque improvisation), but overall, the constant modern references rendered it less creative and clever to me than if they'd stuck to what I'd imagined was the brief. And less funny. But most of the audience seemed to find it hilarious, so I accept I'm an outlier.

Next: Satyagraha

photo credit: steeljam bb Pride and Prejudice Bloomsbury 9497 Back via photopin (license)

Top Hat - Upstairs at the Gatehouse

Fred Astaire, who played Jerry in the film Top Hat

Upstairs at the Gatehouse's front of house nearly refused me entrance. There was some problem with their system, which meant that my name wasn't appearing on their records. I showed them the e-mailed ticket receipt on my phone, but they were determined to find the actual record on their system (which they never found), and insisted that I waited while they checked other peoples' tickets first. As UatG's seating arrangements operate on a first come first served basis, this was irritating. I was finally allowed in, sans apology, and managed to bag a good seat in spite of front of house's best efforts.

Seeing high energy, uber extroverted productions within the close confines of UatG is like watching a musical in your bedroom. You can see (and, in some cases, feel) every bead of sweat, every drop of spittle, every strip of tape holding mics in place on perspiring foreheads. You can't help constantly catching the actors' eyes, so you have to make sure you're always smiling in enjoyment...which generally isn't difficult to do.

This was another show set in the 1930s - 1935, to be precise - complete with art deco set designs. I seem to have seen a lot of 1930s productions at UatG, and will never tire of the costumes and sets. The storyline was simple and highly P.G. Woodhouse-esque, based around a misunderstanding over the identity of the male protagonist, Jerry Travers, on the part of the female protagonist, Dale Tremont, and involving a butler who adopted a number of different disguises. Dale thought Jerry was Horace, the husband of her friend Madge, leading to genuinely laugh out loud moments when Madge appeared to be encouraging Dale to pursue her husband romantically. Joshua Lay, who, incidentally, resembled a younger Daniel Craig, successfully captured the indefatigable exuberance and irritating overconfidence of Jerry Travers. Joanne Clifton, of Strictly Come Dancing fame, was suitably aloof (and rightly so, with Jerry), perplexed and glamorous as Dale. She had some beautiful costumes, including the white swooshy skirt one with (fake?) fur (or was it feathers?).

The humour was quite 'of its era', let me say - apart from the Woodhousian plot/s and wordplay, which were fine, the Madge/Horace plotline involved a lot of somewhat tedious 'isn't marriage awful' banter, and domestic violence against a man was played for laughs...which was discomforting.

The tap dancing was wonderful - I hardly ever see tap, so it was Top Hat's main draw for me. However, while I like seeing these kinds of productions at UatG, I thought, on this occasion, that some of the dancing would've looked better from a distance rather than up close. It amazes me that the front rows of audience manage to walk out without multiple facial injuries every night. Song-wise: it was good to hear familiar songs such as 'Puttin' on the Ritz' and 'Let's Face the Music and Dance' in the context of a show. Not so keen on the yodel-y 'I'm Putting All My Eggs in One Basket', though (not the actors' fault - just don't like the song). The finale/curtain call was one of the best I've ever seen, if not THE best. They did a medley and dance, and the members of the ensemble actually changed outfits JUST FOR THE FINALE. 

Next: Austentatious

photo credit: twm1340 Fred Astaire via photopin (license)