Globe Theatre

Globe Theatre

Wednesday 13 June 2018

Sleeping Beauty - London Coliseum

Alien Sleeping Beauty - nothing like the ballet

This was one of the most beautiful things I've ever seen. I had high expectations for it but didn't think it would come close to Matthew Bourne's version, which was not only magical and atmospheric but strong on the story-telling front. Bourne's protagonists had definite personalities and relatable, absorbing storylines. The traditional Sleeping Beauty is more a collection of showpiece dances, most of which do nothing to further the plot, and Aurora and the Prince couldn't exactly be mistaken for complex characters.

However, this production reminded me of the amazingness of traditional choreography, and I was blown away by the costumes, sets and atmosphere.

The 'Aurora' for best costume has to go to the Fairy of Benevolence, who wore a cornflower blue tutu with lots of sparkles and a headpiece to which it would be impossible for me to do justice. The only dud costume was that worn by one of the princes in the Rose Adagio, which made him resemble a cross between Oliver Cromwell and a hippy. I liked the fact that the courtiers'/townspeoples' costumes started off as late 17th century and 100 years later they were proper late 18th century Gainsborough-esque outfits. Because this was a fairytale I wasn't sure they would pay such attention to detail. But they did.

Highlights for me:
  • The entrance of Carabosse (Fabian Reimair) in a sinister little carriage, accompanied by bald minions
  • The Fairies pleading with Carabosse through highly elegant mimes and being rebuffed
  • The Garland Waltz, danced by the townspeople
  • The Rose Adagio - I'm sure the final part of the music was slower than usual, which made Aurora's (Erina Takahashi's) being on pointe for that length of time even more impressive
  • Aurora's 'sleep throes' - so elegant and moving
  • The Lilac Fairy (Shiori Kase) casting the spell over the palace that sends its inhabitants to sleep. It was a truly magical moment and the Lilac Fairy's mimes in that scene were exquisite. Exquisite
  • The Lilac Fairy entering the forest on board a little SHIP and travelling through the forest on said ship to the accompaniment of smoke
  • Basically every scene with the Lilac Fairy, who was my favourite character
  • The wedding celebration dances of Aurora and the Prince (Aitor Arrieta) - both solos and pas de deux
It amused me that the Prince hardly had to put any effort into finding and rousing Aurora. Doesn't he at least have to hack away thick and stubborn foliage in the fairytale? In this, the Lilac Fairy does EVERYTHING: takes him through the forest, banishes Carabosse and her minions and even confirms, when the Prince expresses uncertainty, that he needs to kiss Aurora in order to wake her up.

I give this production 4.5 spindle pricks out of  5.

photo credit: the_alien_experience Sleeping Beauty - The Kiss of Life via photopin (license)

Next: The Bacchae