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| Globe stage |
The drama began before the opening lines were spoken. Someone came onto the stage to rapturous applause, only to announce that Michelle Terry, who was supposed to play Hotspur, was ill, so the part of Hotspur was to be played instead by Globe stalwart James Garnon. Who, apparently, had never read Henry IV Part 1, let alone rehearsed the part at all.
How was he going to cope? Would the production bomb? Or would it rise, phoenix-like, from the ashes?
Unsurprisingly, the performance wasn't as polished or as pacy as it would have been had Michelle Terry played Hotspur. Hotspur is supposed to be young, dynamic and intense, with a kind of restless energy, which isn't easy to pull off when you're having to read from a script (and when you're not in the first flush of youth). But James Garnon did a great job, incorporating the script into his performance (e.g. pretending it was a book) rather than pretending it didn't exist, and adding in improvised actions (e.g. gently kicking his wife's bottom - in a humorous way - and playing with a groundling's hair).
Henry IV Part 1 alternates pretty starkly between comedy (featuring Prince Hal, Falstaff and 'the gang') and seriousness (King Henry's camp and Hotspur's camp). I admit I much prefer the comedic bits. My favourite part of the play is the scene in which Hal impersonates his father while Falstaff pretends to be Hal, followed by Falstaff playing the part of Henry IV while Hal plays himself. This scene was made extra funny in this production by Mistress Quickly (Jonathan Broadbent), who watched Falstaff and Hal doing their impressions very intently and seriously, critiquing their performances.
Sarah Amankwah, whose face was incredibly expressive, made an energetic, relatable Hal. Falstaff (Helen Schlesinger) was delightful and entertaining, but a little too energetic and fleet of foot for the character. I liked the fact that Falstaff added 'fat-shamer' to the litany of insults he bestowed on Hal - this play is FULL of fat-shaming, and it was good and funny to see them acknowledge it. I loved Nina Bowers as Poins and Douglas. She and Hal made an excellent doubt act, and watching her fighting as 'the' Douglas was a joy - it was refreshing to see a woman play that kind of part.
Talking of the fighting, they had swords/daggers and everything, but the fighting was 'no contact' - very well-choreographed, though, and just as dramatic as if it had involved contact. I was impressed with James Garnon who must have learnt his fight choreography in a very short time - and his lines for that scene - you can't wield a weapon and hold a script!
Next: I don't know
